Though the surrealism and playfulness of the short film have been streamlined, “Decorado” still feels like a fully fleshed-out, focused work.

By playing squarely to its middle-of-the-road strengths, it’s still a trip worth taking.

The movie is a feast for the senses.

Harris, without a doubt, has something to say, and in only her first feature, she has a grasp on how to say it.

Easily one of the more tolerable screenlife thrillers of recent vintage.

A well-meaning but rather thin and gimmicky meditation on grief and loss.

Emotionally and in terms of gore, “Obsession” is quite messy, splattering blood and bad vibes all over every available surface.

There’s something very fresh about Ng’s handling of the material.