Category: Movie Reviews

Nason and Gasparro expertly navigate the challenge of telling a lurid story without sensationalizing the details or exploiting the victim.

This wasteland narrative is the most tedious film of Ridley Scott’s career.

Like the cinematic equivalent of mall food court fare, you get what you get here,

Possesses a life-affirming soul whose earnest feelings invariably cut down on its potential complexity. 

Genuinely enchanting. More unusual, gently told. 

Confidently declares a new voice in the horror sphere.

A matter-of-fact, often caustically funny account of individuals muddling through private disasters in the shadow of a global one.

A fascinatingly modernist attempt at a Franz Kafka biography, filled with touches that seem like metafictional goofing around, as well as jokes worthy of a Kafka story.

A deceptively complex piece of work, and a strikingly rewarding one.

It’s filled with so many people that deserved better, a crew of talented performers doing absolutely everything they can do to add depth to this kiddie pool of a movie.