It is dreamlike, meditative, and ambiguous, with an ending that leaves us with questions about what is real and what is imagined.

Ponyboi is not someone we’ve seen on film before. There’s way more here to explore.

I’ve already forgotten most of the plot of this movie, but I could draw the house.

“The Sound” only comes alive when its cast members are dangling in mid-air and planning their next moves on the fly.

Victor’s offbeat film may not resonate with everyone, but their approach to this story and its heavy topic is impressive.

M3GAN 2.0 is funny, even if cheaply, and it’s also deeply, transparently unserious this time. 

Serra’s meticulous shooting and cutting relate to phenomenology; that is, it delivers an account of subjective experience.

Hargitay’s approach is intuitive in a really courageous way, because she’s so open to the process, to her own pain and loss.