The Sparrow in the Chimney
It’s a disturbing, sometimes beautiful film that, by the end, is disquieting for all the wrong reasons.
It’s a disturbing, sometimes beautiful film that, by the end, is disquieting for all the wrong reasons.
With nowhere else to go, “My Oxford Year” wears out its charm with a half-hearted end.
In stripping down the Red Riding Hood fable to more terrestrial environs, “To Kill a Wolf” finds stronger, more nuanced ways to sell the simmering psychology of its original fable.
“The Naked Gun” has a secret weapon that makes it into a comedy killing machine: Liam Neeson.
The whole thing is a little uneven, but it avoids sentimentality, perhaps the biggest trap in material involving a child.
It feels as though we’re watching the world being undone and remade several times over throughout the course of Kossakovsky’s film.