Strange Harvest
“Strange Harvest” maintains an air of abject horror, even if it’s penchant for ease nudges focus out of the way.
“Strange Harvest” maintains an air of abject horror, even if it’s penchant for ease nudges focus out of the way.
Scott Thomas adds distracting details that never pay off in revealing character or moving the story forward.
It’s a disturbing, sometimes beautiful film that, by the end, is disquieting for all the wrong reasons.
With nowhere else to go, “My Oxford Year” wears out its charm with a half-hearted end.
In stripping down the Red Riding Hood fable to more terrestrial environs, “To Kill a Wolf” finds stronger, more nuanced ways to sell the simmering psychology of its original fable.