Barron’s Cove
The film wants to explore themes of violence, generational trauma, grief, and the possibility of redemption. Instead, it just presents them.
The film wants to explore themes of violence, generational trauma, grief, and the possibility of redemption. Instead, it just presents them.
A lot of movies barely have a point of view at all. This one is a prism in comparison.
Impressive and exasperating in its determination to squeeze every previous iteration of this story into one huge glimmering chunk of lore.
The series buckles under the weight of the novel it’s adapted from, shackling Biel to its restrictive formula and unfolding like a dull book you desperately want to put down.
Director Dean Fleischer Camp brings a light touch of the tender-hearted sensibility of his “Marcel the Shell with Shoes On.”
The main intent of the film is to address the weaponization of race, yet there are only a handful of non-white interviewees featured.
Lee isn’t setting out to copy what was great before. He is using the past as a starting point to launch what may be the final phase of his career.