Sister Midnight
Uma’s repartee accounts for much of the laughs, but even more so is Apte’s ferociously committed physical performance.
Uma’s repartee accounts for much of the laughs, but even more so is Apte’s ferociously committed physical performance.
As with Yamanaka’s scrappy debut, there is a spirit of youthful rebellion in “Desert of Namibia.”
Roberto Minervini is a filmmaker whose previous works—including “Stop the Pounding Heart” (2013), “The Other Side” (2015) and “What You Gonna Do When the World’s on Fire” (2018)—have often seen him combining the elements of narrative and documentary cinema to tell his stories in a manner that stresses realism over artifice. That is certainly the […]
An overlong, aimless vanity project that will only satisfy folks who’ve already decided they’ll like it because of their existing affiliation with the artist.
It makes sense that a gore-soaked horror franchise built around the universal fear that our time is running out would be as elegant and precise as a stopwatch.
It’s less fun, and that’s truly disappointing for a series that has given us some of the most fun in action history.