My Mother’s Wedding
Scott Thomas adds distracting details that never pay off in revealing character or moving the story forward.
Scott Thomas adds distracting details that never pay off in revealing character or moving the story forward.
It’s a disturbing, sometimes beautiful film that, by the end, is disquieting for all the wrong reasons.
With nowhere else to go, “My Oxford Year” wears out its charm with a half-hearted end.
In stripping down the Red Riding Hood fable to more terrestrial environs, “To Kill a Wolf” finds stronger, more nuanced ways to sell the simmering psychology of its original fable.
“The Naked Gun” has a secret weapon that makes it into a comedy killing machine: Liam Neeson.
The whole thing is a little uneven, but it avoids sentimentality, perhaps the biggest trap in material involving a child.